Notes
fn1. Samuel Beckett, Waiting for Godot in The Complete Dramatic Works, Faber & Faber, London and Boston, 1990, p. 11.
fn2. See for example, Charles Esche, ‘Nohow On’, John Wood and Paul Harrison, Film and Video Umbrella minigraph, ellipsis, London, 2000, pp. 7-15
fn3. Estragon in Waiting for Godot, op. cit. p. 13
fn4. Steven Connor, ‘Shifting Ground’, Samuel Beckett, Bruce Nauman, 2000, Kunsthalle Wien, Vienna, pp. 80-7. Their touring exhibition Obstacle Course and Other Works (1999) was perhaps the site at which this aspect of the work became most apparent.
fn5. See Bruce Nauman, exhibition catalogue, Hayward Gallery, London, 1998, in particular Gijs van Tuyl, ‘Human Condition/Human Body’, pp. 60-75, Marcia Tucker, ‘PheNAUMANology’, pp. 82-87 and Willoughby Sharp, ‘Interview with Bruce Nauman’, pp. 88-97.
fn6. Bruce Nauman, 1987 in Willoughby Sharp, op. cit.
fn7. Also known as Beckett Walk Diagram
